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ALCHEMY OF CONSCIOUSNESS CONSCIOUSNESS OF RATIONAL

Caravaggio, Crucifixion of St. Peter, 1600

The rational search of happiness
rational consciousness emerges from the inhibitory mechanisms that originate in the system of education, training and development of the social. The mother, the family, school, religion, culture and ethics of reference play a decisive role in limiting and directing individual action towards the achievement of goals appropriate for the social and moral transmitted by the collective historical consciousness. Systems are induced by inhibition of coercive laws, rules deafened and drawings selected by rational design, political and economic, which has the express purpose of containing the psychic drive (the protest, rebellion, refusal) and direct the libido to the material aspects of life (work, welfare and comfort). This form of rational consciousness, and then induced sustained by the individual, has the advantage of making the psychic energy into work through 'forms mechanistic' beyond the pursuit of happiness, considered by the Greek philosophers for the sole purpose of the soul. Even today, the "shared culture" that emerges from the stories of the film blurs the true happiness with the success in economic el'agiatezza work that follows, although in the film "The Pursuit of Happyness "(G. Muccino, 2006), the protagonist raises the" self-sacrifice "as" technical device "of" resurrection "of the soul from a state of misery, discomfort and dissatisfaction with the material. The soul is not granted loans, loans or financial aid and even exceptions to the payment of taxes, are not permitted facilities, aid or support from a third party. The alchemist, like the protagonist of the film should try to evolve rapidly, the critical perception, sensory, rational and intuitive in the "cognitive perception, crucial to solving mathematical games (Rubik's Cube), understand the game of consciousness (the psychology sales) and then translate their experience into a successful model useful to take advantage of circumstances, opportunities, chance and fate (the main character on his own and become rich). The Alchemy of perception that evolves from the cancellation of the personal point of view and use the tools of reason alchemical leads the protagonist to sharpen observation, to identify successful models and imitate the techniques that allow the realization of the dream of wealth . However, the dream is likely to remain so if the soul decides to translate the psychological instinct to love, trust and faith in their psychic resources, mental and spiritual. Will Smith is abandoned by his wife, but not for this waiver to take care of the child (a metaphor for paternal responsibility that predisposes to virtue) and to cultivate within himself the hope of changing his life, work and economic status. The different phases described by the director (stage of stupidity, race, stage and failed) symbolically represent the four acts of rational transformation of consciousness (the business 'safe' scanners) in the consciousness alchemical where the mind comes into play to evolve on a higher plane of knowledge, cunning, organizational skills and strategic capabilities. The alchemical art is like an internship of six months without pay in which the alchemist learns at his own expense the technique of transmutation Mercury (perception), processing of sulfur (the psychic drive) and sedimentation of the salt (the knowledge) necessary to face life, trials, obstacles and difficulties on a new level of understanding, experience and knowledge of ourselves and the world. The alchemy of transformation of the drive is metaphorically described by the twelve trials faced by Hercules, but the transformation of rational consciousness, according to psychological fears projected by the soul, remains hidden in the facts of the Gospel. There can be no transformation of the identity (the sun) and self-consciousness (the moon) unless the individual is at stake and continues to streamline their lives in relation to the demands of society or one's own ego. The story of Peter's denial dual metaphorically describes the fear of the individual to recognize within himself the presence of the creative impulse that lies the power "Christic" (the instinct of the heart) to carry out the wishes, aspirations and destiny soul. Christ recognizes the Pietro autoinibitorio behavior of the individual who denies the instinctive action, the social psychological impulses and libido (the triple negative / the three executioners) in order to build the moral conscience in a position to establish educational institutions, religion , hospitals and the Church, but not the "Temple" of truth.

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SENSORY

Caravaggio, Rest on the Flight into Egypt, 1595

Sensory perception can be guided, influenced and modified in various ways, from the subconscious, the attention, from the external stimulus, the sexual drive, the system of beliefs, from libido to possess the object of desire or intention consciously choose to see, understand and assimilate the elements of beauty (infrared spectrum), truth (vibration ultraviolet) and perfection (balance red and blue) that are contained in the images, and only in the images as they appear in the eyes of consciousness. Already in the early works Caravaggio develops the themes of critical knowledge of reality (see Q1) leading in a short time the artist's creative curiosity to investigate all aspects and content of 'beauty, truth and perfection' present in the words of the Gospel. The events and persons of sacred texts, the intention of the intellective invested to understand, interpret and make current the "sacred conscience, inspire the artist to the principles of a new" music. " In the painting " Rest on the Flight into Egypt " Caravaggio came to define the relationship between silent sensory intuitions (the mother) with the emotions of the heart (the son). Mary and her son Jesus, tenderly embraced in a moment of rest, describing the unbreakable bond of thoughts and emotions, intuitions and feelings, memories and feelings that forms within the individual who stops, even for a moment to reflect on the contents of experience. On the other side of the couple, San Jose embodies the consciousness of the alchemist that sensory waiver to interfere (the putative father) with critical thinking, pre-packaged ideas and insights in the abstract process of sensory information from the system automatically perception (the Virgin Mother) connected to the memory emotional (baby Jesus). The presence of the donkey on the scene makes explicit the intention of Caravaggio to bring the "search for truth" on a pre-rational mind can relieve the effort, anxiety and suffering of not being able to understand the logic of life, many because of the existence or the reason for the madness unleashed by the "followers of Herod" that for centuries continue undeterred to make the slaughter of innocents.

The rest of the Holy Family during the flight into Egypt by Caravaggio is reinterpreted metaphorically in order to establish a firm point of spiritual quest. The absence of ego leads the putative I (San Jose) to exercise a representative role only. It is not the biological father of the "child" as the "emotions of the heart" arise spontaneously irrespective of the wishes of the individual, just as it never interferes in any step of the Gospel, the relationship that combines the experience of emotions (the son ) with the insights of perceptual processing (the mother). This means that I must give up power peculiar alchemy of language and logical thinking and rational to describe the reality, as the body is able to independently develop a logical and intuitive enough to know as capable of grasping the truth directly from the reflected images, and to leverage on the faculties of sensory perception to understand everything from dall'indizio suggestive of the part. For modern scholars, as Gehlen, this capability, already in action at the perceptual-motor, runs all cognitive processes to the most advanced forms of the language of logic and translog. The opening to the world of the senses, the undisputed realm of emotional awareness that evolves from body care, skin sensitivity and proprioception, the originator of sensory knowledge, represented in the report that the deified body established with God (the Truth). Since then the knowledge sensations, and from their appointment (the day of the creation of the natural world), the alchemist develops the ability to extend the analogy understanding of reality through the cognitive perception of bodily feelings (the Logos) and then turn on the power of self-expression ( the Word) which you can access the upper stages of symbolic knowledge. "The world of the senses is so symbolic, and this means that references, abbreviations, fore and intersections, shadows, reflections, color or quality formal showy enough to give an account of the actual masses of the objects. The desirability of this biological fact lies on one side and the acceleration exempting reactions in this way possible, on the other, and above all, in being the only possible in areas overview symbolic. " This form of relief and accelerarazione reactions, made possible by the decision to refrain from any form of analysis, calculation or assessment outline (the so-called "blinders") enables the 'mens cogitative' to capture and store whole areas of allusions. "Only then we can embrace a comprehensive look rather wide areas, and the perception, so that individual can ignore the masses, becomes available for higher performance, just panoramic" (Gehlen, 1956). The alchemist who "escapes" in the land of Egypt, formerly called Al - Khema (black earth), is about to begin so the study of "signs, symbols, allegories, and hieroglyphics" necessary to rebuild the knowledge that originates in the clay, the first material with which God shapes the earthly Adam.

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ALCHEMY ALCHEMY OF CRITICAL REASON

Caravaggio. Doubting Thomas, 1600

educating in the perception must also indicate that a search of intelligibility surface leads to ignore the significance of a fact or an event, as well as a research too stubborn intelligibility leads rationalizing an error that alters that meaning. You cite examples of disastrous decisions, took not only foresight, cynicism or lack of responsibility, but also as a result of mental processes of absurd rationalization or unconscious concealment, designed to preserve our peace of mind. "The words of Edgar Morin, a sociologists more aware of our time, can describe the secret motivations that drive Thomas to put his finger in the wound of Christ. Whether it's simple curiosity or an excess of diffidence or understandable in what appears little or too obvious to all, the fact remains that Thomas is the epitome of the seeker of truth, always warned not to fall victim to the easy illusions, errors of assessment or the truth, too often exhibited as dogma or absolute certainty.
Incredulity of St. Thomas is not a simple description of events recounted by the Gospel, but is structured as a real treaty in which Caravaggio is concerned to bring out the knowledge of what it means to seek truth through reason. Through the guidelines of the geometrical composition, the faces of the four main characters seem to suggest a higher level of understanding of reality, which is indispensable to touch, directly and without mediation, the source of truth. Gushes from the wound of Christ "water and wine, metaphor of the cognitive processing of emotions in moral values, ethics and spiritual awareness. Here then is that Christ provides the face of Caravaggio alchemist who completes the work of transformation of the individual mind in the 'universal mind' able to communicate 'love and understanding' through rational deployment of symbols, parables, metaphors and initiation rituals. Knowledge is never pure, never a true and authentic understanding of what the researcher's curiosity, his intuition and his intellect were finally able to investigate and then encode in words and pictures, thesis and antithesis, synthesis and allegories, metaphors and theories, numbers and symbols. "A knowledge is never a mirror of things or the outside world. All perceptions are both translations and reconstructions from brain stimuli or signs captured and codified through the senses "(Edgar Morin, 2001). By way more reliable than vision, to the brain's perception of the many errors that accumulate over time and become sclerotic due to laziness, indolence, apathy, and that state of mind. What determines the sharpness of perception is the subjective mental state which is dependent on the presence of the "three dragons" that disturb the perception of themselves and distort the understanding of reality. The first dragon is the symbol of the veiling power to prevent the transmutation of laziness, apathy and indolence in curiosity, desire to know the truth, to study and explore the world with the faculty of creative imagination. The second dragon is a power projection that contains within itself aspects conscious, subconscious and unconscious personality can inhibit the natural flow of psychic energy in the system of mental and sensory perception and intuitive. The third dragon, finally, is the most difficult to process as it evolves with the conscious personality and expresses the qualities of the harmonic rhythm. The identification with beliefs, thoughts, emotions, fears, defense mechanisms, conflicts, complex and instinctive factors such as greed, pride and hatred, created a deep distortion in the process of decoding what is perceived and stored. And 'this is the dragon decides to autodecapitare Caravaggio, as the first act of purification of thought streamlining (Goliath) in which hatching, such as ash, the will to dominate things, ideas and systems of interpretation of the truth. Error of perception is added an intellectual error. Knowledge is generated by the Renaissance artist and psychic sensitivity of the philosopher who directly experience the duality between the cognitive system intuitive "David" and the cognitive system, streamlining of "Goliath."
The Western knowledge unfolds in the form of words, ideas, theories 'give birth' by the rational mind. All knowledge is the result of a translation / reconstruction of a knowledge that precedes it. This translation is implemented by means of language and thought, and therefore experiences the risk of error. This knowledge, both the translation of the words that the decoding of images, introduces the risk of error in interpretation of subjectivity that he knows, his world view and its principles of knowledge.
Caravaggio intellectual surrender to express an opinion, to express a personal point of view or interact with the decisions of customers in the selection of subjects. He discovers the "law of synchronicity," which offers, with amazing timing, the opportunity to experience the power of creative to explore the hidden truths in a religious or mythological subjects.
Surrender to control the world through systems of ideas, doctrines and ideologies is tantamount to an act of initiation was crucial in the philosophy of the Renaissance. This means
'decapitate' the pride inherent to the strong thought of Goliath, Caravaggio that affect the Sword of David Has os letters, summaries of the motto "Humilitas occidit superbiam.
contain "the intellectual vanity of the peacock" inside the vas Hermeticum of mind is an act of initiation that facilitates the development of critical perception and intuition in cognitive awareness of feelings and emotions, motivations and intentions, symbols and archetypes. Caravaggio goes beyond the limits of rationality and organizing virtually performs an act of "Death and Transformation" critical and speculative intellect in the creative mind of David, whose slingshot is the symbol of synchronicity operating the two cerebral hemispheres.